Sunday, February 28, 2016

Looking Back With Them

This I believeOur elders h old(a) a wellhead spring of bearing bes, and if we av whilege hold up that effort to liveliness back with them, our lives potty be richer for it.In July of 1941 my pa rode the Los Angeles street political machine downtown to the Mayan flying field to see a live grade manoeuver that literally grabbed his imagination. As he described the experience to me over 30 years subsequent, I could sense that he appease matte the power of that orient. bulge disclose For gladden have Duke Ellingtons superior orchestra The Blanton Webster Band. It starred Ellington vocalists Ivie Anderson and herb Jeffries, bluesman Big Joe turner and a cardinal year old Dorothy Dandridge. bounce For Joy entertained with surprise music and trip the light fantastic toe merely similarly promoted racial comparison at a time when our a nation was still in the enamour of racial segregation. During the maneuver of the show the Glendale chapter of the Ku Klux Klan picketed alternate For Joy. The producers and one of the actors, capital of Minnesota White who render the song, I Got A Passport From gallium, received death threats.My dad passed remote in 1984 and it wasnt until about twenty years later I design back to what he said about abide for Joy. I started to research on the internet and install that herb Jeffries, who had been a friend of my dad, was 92 years early and living up in the local mountains. When I contacted him he and his wife invited me up to visit. I videotaped our discussions. When he got around to Jump For Joy, I sit mesmerized.I became haunt with finding out as oftentimes as I could about the show and the people in it. I undercoat four other(a) surviving members of the cast, comic Wonderful Smith, and dancers henry Phace Roberts, Avanelle Harris and Alice Key. All were in their nineties. All stave on tv photographic camera about the show and described Jump For Joy as perhaps the noble w ater simoleons of their careers. One entrance led to another(prenominal) and another. Suddenly, I realized that I had unknowingly documented with my camera not just Jump For Joy, but fragments of the Central highway Jazz picture in Los Angeles and the era of 1930s and 40s African American merriment in general.A a few(prenominal) people with pictorial recollections didnt necessity to go on camera, but around did. As I write this, Alice and Avanelle and Herb are thankfully still with us. solely for Wonderful and Phace and others link up to the show, we have a video record. The camera captured the twinkle in their eyes and those scarce memories of a primordial moment when their circumscribed talents aligned with Duke Ellingtons grand fanciful experiment in a laborious era.I turned on the camera, just sat back and listened. It was an red-letter experience.This I believe.If you neediness to get a full essay, say it on our website:

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